Samson Tsoy
Press
Scriabin Prometheus Poem of Fire
Philharmonia Orchestra at Bold TendenciesJun 2022***** If you want cosmic, it was cosmic. Samson Tsoy triumphed as the intrepid piano soloist.
- Fiona Maddocks, The Guardian
- 11 June 2022
**** Prometheus is in similar language, but more feral and dangerous, and it requires a piano soloist: the magnificent Samson Tsoy navigated its fiery challenges with great flair.
- Jessica Duchen, iNews
- 17 June 2022
Brahms Piano Concerto Nos 1 & 2
Philharmonia Orchestra at Bold TendenciesAug 2021***** As in the Brahms Second Concerto, Tsoy’s very rare ability to bounce between light, deft humour and colossal Russian-school pianism paid off: there won’t be a better or classier Pictures live for a long time to come.
- David Nice, The Arts Desk
- 12 August 2021
Messiaen Quartet for the End of Time
Ragged School MuseumOct 2020**** Tsoy sculpted the cosmic plainchant that is the second movement’s backdrop with warmth and care...
- Benjamin Poore, Bachtrack
- 03 October 2020
Beethoven Moonlight Sonata
Bold TendenciesAug 2020***** If Bartók in one way trumped the holy Frenchman’s metaphysical ambition, departing too soon, Tsoy...made us feel that Beethoven was moving in that direction, from the steady hypnosis of the “Moonlight” Sonata’s first movement, bold magic even under strip lighting and the red lights of endless construction projects in the distance, via a very human transitional movement to more massive resonance at the climactic end of the finale, a true clincher.
- David Nice, The Arts Desk
- 17 August 2020
Chamber Music with Alina Ibragimova
Fidelio Cafe, LondonJul 2020***** Their performance of Janacek’s Violin Sonata comes bursting with bucolic vigour, Arvo Pärt’s Spiegel im Spiegel has immaculate poise, and Beethoven’s Kreutzer Sonata – preceded by a reading from the Heiligenstadt Testament – alternates between delicately inflected grace and hurtling force.
- Michael Church, The Independent
- 24 July 2020
Brahms, Beethoven & Ravel
Wigmore HallJun 2020***** Then, with Tsoy back at the upper end of the keyboard, there was the F minor Fantasie, its long, obsessive episodes masterfully paced so that it tightened and unwound like a spring.
- Erica Jeal, The Guardian
- 05 June 2020